Here is a message from Venice Arts!
Join us for the premiere of photographer Dotan Saguy’s stunning photo documentary about the extraordinary but endangered culture of Venice Beach. In capturing the revelations of this colorful, tattooed, costumed community, Saguy has created a body of work with unexpected, enthusiastic surprise. His meticulously composed, compassionate photographs unabashedly praise the rarity of the unique individuals who populate the sands of Venice. Unfortunately, Venice Beach sits on the edge of a knife, as the forces of gentrification and corporate expansion threaten to squash the way of life that has defined Venice for decades. Allow yourself to be mesmerized—as Dotan Saguy has been—by this way of life, before it fades away.
This exhibition is presented as part of Venice Arts’ 25th Anniversary celebrations, and corresponds with the publication of the monograph Venice Beach: Last Days of a Bohemian Paradise by the German photo book publisher Kehrer Verlag.
Venice Arts’ Mission: To ignite, expand, and transform the lives of Los Angeles’ low-income youth through photography and film education, and use our participatory storytelling practices to amplify the voices of underrepresented communities around the world. venicearts.org.
Check out Venice Paparazzi‘s interview with Dotan Saguy
Tell us about your art or company. My photo book about what I call the “endangered culture of Venice Beach” is the first long form photo documentary published about Venice in decades. It captures the timeless free-spirited essence of the boardwalk while at the same time hinting on the looming threats overshadowing this unique culture. Now that the project is done, it’s really exciting to see the work getting recognized: Some of the images have been featured by National Geographic and now a top tier German publisher just decided to publish it as a coffee table book that will come out next summer.
How did you get into photography? Initially I started shooting in Venice as casual street photography. I was just curious about the “crazy Venice moments” happening there and was having fun hunting down candid scenes that made me laugh. A year or so later I started getting formally trained as a photojournalist and realized that I had a documentary on my hands with a full story to tell.
What projects are you currently working on? I am currently working with a couple of non-profits on documenting the journey of people coming out of homelessness. I am also looking into starting a project about artists getting evicted in the Downtown Art District.
What accomplishments are you most proud of? This book on Venice Beach will be my first monograph. It was a true labor of love. The greatest compliment I get is when long time Venice residents tell me that they see the Venice they know and love in my photographs. That’s when I know I’ve succeeded in this work.
What advice would you give someone starting out in your field? I would give them very simple advice: find a subject you love, make sure you are realistically in a good position to document it (location, access, time, skill level, etc.) and then shoot it with passion for a long time. Only good things can come out of that.
Who or what inspires you? I admire and study the work of many photographers from whom I’ve learned a lot. Among them are Sebastião Salgado, Henri Cartier-Bresson, Alex Webb, Ed Kashi, Bruce Davidson, Matt Black and many others. But beyond that, Venice itself has such a creative vibe that sometimes it feels like just breathing the air provides all the inspiration one needs… or is it the marijuana in the air?How would your friends or colleagues describe you? Probably as a nice guy who is passionate about his work but doesn’t take it too seriously either. The most rewarding part of this project was to get to hang out with people from all walks of life and becoming friends with them: hippies, surfers, body builders, shopkeepers, artists, homeless people, ex-homeless, stoners, skateboarders, musicians. I felt like this is what wealth really feels like: being connected to all this diversity, all these life experiences packed in this little stretch of beach.
Favorite affirmation, mantra, or quote. The camera is an excuse to meet people and explore issues I otherwise wouldn’t have access to. It is my passport to a world beyond my normal reach.
Favorite book, band or movie. Led Zeppelin, The Big Lebowski
What do you do on your days off? I spend time with my wife and kids, often walking or biking on the boardwalk.
Finish off the statement “Life is… Life is short. Do what you love while you still ca.
What causes do you support? I donate a lot of my time to non-profits fighting homelessness in LA and I give money to many local and national organizations. I think it’s important to not get discouraged by the current political environment and keep fighting to make this town, this country and this world a better place. These days it’s so tempting to just drop the towel, curl up in a ball and cry when you hear the latest White House drama of the day.
What’s one thing we can do to make the world a better place? Talk to each other. Try to understand others and what their lives are like. But I’m preaching to the choir here. That’s what Venetians already practice everyday.
Describe Venice. The antithesis of LA.
Describe your perfect day in Venice: Shooting all day of course! Oh… that and drum at the drum circle.
What are some interesting destinations/activities in Venice that even locals might not be aware of?
The lit-up bike parade on Sunday night is amazing. Everyone should take part in it. Few people know that you can bring your bike and that there are people at the meeting point who will get your own bike all lit-up for a reasonable fee.
List any of your favorite Venice businesses, event(s) or activities? I won’t shock anyone by saying that the Wee Chippy makes fries that are beyond anything I had ever tasted. I also love Poke Poke. I absolutely love the Neptune Parade. I’ve shot it several times and it is well covered in the book. Such crazy scenes! The Muscle Beach body building contests are a hoot. Not everyone knows they hold 3 different ones every year. Personally I don’t care much for the stage at these competitions: it’s backstage that the most interesting moments happen.
What is your craziest or fondest Venice experience? Shooting for about an hour in a van full of hippies parked at the dog park. It’s actually one of the images in the book and one of my personal favorites.
Any shoutouts or thank you’s? I want to thank all the people from the Venice community who have opened their arms and their hearts to me and my project and let me photograph their lives with such candor and generosity.
Anything else about Venice that you would like to say? I really hope they keep Venice weird. It’s looking like it’s going to be challenging but it’s a resilient place with a lot of good people who try hard to keep it weird. May the weird triumph in the end!
Who should Venice Paparazzi cast the spotlight on next?
A dog or something. Enough about humans. We ruin everything.